Song: Bade Achhe Lagte Hain
Movie: Balika vadhu (1976)
Music Director: R D Burman
Singer(s): Amit Kumar
Lyrics: Anand Bakshi

When you want to express your love in simple words, this is the song you should sing. There is no mincing words here, everything is straight and to the point - bade achhe lagte hain. These simple words make this song a favorite with lovers. The singer, Amit Kumar, son of the versatile singer Kishore Kumar, sounds so much like his father that it is no surprise many people think this song has been sung by Kishoreda himself. Music is by Panchamda. Anand Bakshi has penned the words. The song is from Balika Badhu (no connection whatsoever with the Avika Gor starrer television series Balika Vadhu), which has Sachin Pilgaonkar in the lead. Sounds like an interesting movie. It is on my TBW (To Be Watched) list. If anyone has watched this movie, do let me know what you think.

This post is part of the Song of the Week series.

Tribute to O P Nayyar

The talented music composer, O.P.Nayyar's first death anniversary falls on January 28th. A tribute to the legend.

Aaoge Jab Tum O Saajana: Jab We Met

Amidst the roaring success of the foot-tapping Mauja Hi Mauja and the melodious Tum Se Hi, another gem from the movie Jab We Met has gone unnoticed.

Aaoge Jab Tum O Sajana is melodious and has a classical touch to it. Sung beautifully by Ustad Rashid Khan, this song is four and a half minutes of sheer pleasure.

Aaoge Jab Tum O Saajana,
Angana phool khilenge
Barasega saawan, barasega saawan, jhoom jhoomake
Do dil aise milenge

This song is composed by the guest composer, Sandesh Shandilya, who has given us songs like Suraj Hua Maddham from Kabhi Khushi Kabhi Gam, Bhaage Re Man from Chameli, Laree Chootee from Ek Chalis Ki Last Local.

The song is slow and melodious. Irhsad Kamil's words are simple and sweet. The best thing about the song is certainly singing. Ustad's voice has a folky touch and works well with the song. The song opens with his powerful alaap. Ustad sings with ease. The way he ends the 'phool khilenge' and 'do dil aise milenge' is as if he is lazy to complete the lines, and that adds a special effect to the song. His expressions are so genuine, one can feel the longing for the beloved. The song ends with a flute piece and Ustad's sargam. A perfect end to a great song.

Song: Aaoge Jab Tum O Saajana
Movie: Jab We Met
Composer: Sandesh Shandilya
Singer: Ustad Rashid Khan
Lyrics: Irhsad Kamil

You can listen to this song on Dhingana.

Remembering Geeta Dutt

November 23rd is Geeta Dutt's birth anniversary

Geeta Dutt was vivacity personified. If one listened to her songs with eyes closed and tried to imagine the face behind the voice, one would see an innocent face with shining eyes full of life.

While one can dance to her tunes in Mera naam chun chun chu from Howrah Bridge, Tadbeer se bigdi huyi from Baazi dance songs, one can peacefully go to sleep listening to her Nanhi kali sone chali hawa dheera aana from Sujata. This particular lullaby is a particular favorite of mine. The wording are beautiful, the inclusion of the sound of baby's anklets, the wonderful singing - the song is just great.

Her playful, nuaghty songs like Jaane kahan mera jigar gaya ji from Mr&Mrs.55 and Hum aapki aankhon mein from Pyaasa, Ae Dil Mujhe Bata De from Bhai Bhai is what she is most famous for. These songs lift your spirits in no time.

Her sad songs are probably not that well known. Songs like Chand Hai Wohi Sitare Wohi Hain from Parineeta, Mera sundar sapna beet gaya from Do bhai makes one can be filled with grief. The last song, especially, is so melancholic. Geeta Dutt is literally crying in the song.

How can one forget the drunken, sensual singing of Na Jao Saiyan from Sahib biwi aur ghulam? The minimal background music, the intermittent pause singing and music, her slurred pronunciation makes one wonder if Geeta Dutt was really drunk when she sang this song.

Another favorite of mine, Piya Aiso Jiya Mein from Sahib Biwi Ghulam has Geetaji dreaming about her beloved. The lady sounds like she is actually in love and you blush and turn pink listening to the song. Look out for the subtle harkatein - no one could do it except for Geetaji. She is playful, complaining, mischievous - all at the same time!

She is the inspiration for many singers. It's no secret that Asha Bhosle used to imitate Geetaji in her initial days. The song Jaanu Jaanu Ri from Insaan Jaag Utha is such a pleasure to listen to. Two of the best female singers of the Hindi film industry, Geetaji and Ashaji, create magic in this song.

With Geeta Dutt's demise, Hindi industry has incurred a big loss, which is impossible to fill. Asha Bhosle gracefully stepped into her place and has done all the justice to it. If anyone can be compared with Geetaji, it has to be Ashaji. Nevertheless, if Geetaji had survived for a few more years, we would have had more gems from her.

Music Review: Khoya Khoya Chand

Album: Khoya Khoya Chand
Music Composer: Shantanu Moitra
Lyrics: Swanand Kirkire
Album Rating

Khoya Khoya Chand reminds one of the 70's Hindi film music, when melody was of the essence. With some new singers and some established ones, this album is a treat to the ears. The music composer being the same, this album has resemblance to Parineeta.

Chale Aao Saiyan
Singer: Shreya Goshal

A classical based song, beautifully sung by Shreya Goshal. The presense of sarod, ghungroo, tabla make it a thumree. A beautiful number which changes paces in between. Shreya sounds different - her voice is more shrill than nasal. It reminded me of Chalte Chalte from Pakeezah.

Khushboo Sa
Singer: Hamsika Iyer

A new singer on the block who has worked wonders in this song. This has a vague resemblance to 'Kaise Paheli' from Parineeta. The mellow tune, the piano and the singer's sensual's voice make this song worth listening to.

O Re Paakhi
Singers: Sonu Nigam

I can't help it, this song reminds me Parineeta's Soona man ka aangan. Sonu Nigam is brilliant as ever. The opening is beautiful - only piano is playing intermittently in the background and Sonu's voice is even more enjoyable. Mid-way, the background music stops and Sonu is just singing. A song which you should enjoy with closed eyes and with lights off.

Sakhi Piya
Singers: Shreya Goshal, Pranav Biswas

A beautiful, melodious number. Pranav Biswas has a base voice which sounds great with Shreya's melodious voice. Background music is minimal with intermittent piano and santoor (is it santoor?) and violin. A slow, relaxed song which is thoroughly enjoyable.

Thirak Thirak
Singers: Shreya Goshal, Sonu Nigam

Relatively fast paced, this song is full of masti. Just like in Piya bole from Parineeta, Sonu outshines Shreya. His voice is so expressive, Shreya sounds weaker. This song borrows a stanza from the mukhda of the next song, but you don't realize it until you listen to the next song.

Khoya Khoya Chand
Singer: Rahat Fateh Ali Khan, Swanand Kirkire

The best song of the album. Khan saab is wonderful and his voice is charming. Swanand adds some reciting in between. A very passionate and energetic song.

Yeh Nigahen
Singer: Antara Choudhary and Sonu Nigam

This song sounds so much like a 70's Rafi song. Sonu even tries to bring in the harkatein, which were Rafi's trademarks. Antara is good too, but she is pitted against Sonu and she will sound weaker.

A very beautiful album, with melody at its core. An album definitely worth listening to.

Baavara Man Dekhne Chala Ek Sapna

Of all the numerous nasal songs and their even more nasal remixes coming out these days, there are very few songs that you want to go back and listen to. Evergreen songs so to say. One of these rare songs is one gem - Baavara Man Dekhne Chala Ek Sapna.

The first time I heard this song, I listened to it back to back for the whole day. I couldn't have enough of it. Thanks to my friend for introducing me to this song, otherwise my song collection would have had a big loss. It is from a movie Hazaaron Khwaishein Aisi, which I know nothing about.

The heavy classical touch, the hypnotizing voice, unique lyrics, beautiful orchestration - this song is as perfect as any song can be. The singer is in the right mood - he sounds aloof, yet passionate. The chorus adds a different charm to the song. The sitar (or sarod?), the peppering of violin, which sounds off-key at times and thus making the song even more beautiful. The best part of the song is arguably the lyrics. The deliberate repetition of the word 'Bavara' adds effect to the song.

Why waste time raving about it when one can actually relish it? You can listen to this song online on Music India Online. Music is by Shantanu Moitra. Lyricist and singer: Swanand Kirkire.

Music Review: Saawariya

Album: Saawariya
Music Director: Monty Sharma
Lyrics: Sameer
Album Rating:

With musical hits like Khamoshi and Devdas behind him, Sanjay Leela Bhansali can be trusted to give us a movie with good music. He doesn't disappoint us with his new movie, Saawariya. The much hyped launch pad of kids of industry's two big names, Rishi Kapoor and Anil Kapoor, has a good collection of songs. Romance, love, passion is oozing out of the songs. With songs being so hypnotic, I am waiting to see how they are taken to a new level by Bhansali's cinematic skills. I am sure it will be a feast for the eyes and ears.

Instead of giving us soft, monotonous songs, the relatively new director, Monty Sharma gives us songs with varying rhythms and notes. He has also given us two new noticeable voices, Shail Hada and Parthiv Gohil. Hada's Saawariya and Gohil's Yun Shabnami prove the singers' skills. In all, an album that deserves to be in your kitty.

Saawariya
Singer: Shail Hada

This song is doing the rounds on TV and is already a hit. We have a new singer, Shail Hada, who has an unusual voice. The song is a romantic, passionate number. Shail pumps energy and passion into the song. He carries off some yodeling too. An apt title song for the movie. Lyrics are nothing exceptional, but the simple tune of the song takes your heart away.

Jab Se Tere Naina
Singer: Shaan

Another romantic song, sung by Shaan. It wavers between mellifluous notes and passionate beats. Shaan modulates his voice well - going soft at times and oozing energy where required. Lyricist has not done anything extra-ordinary. One can find quite a few cliché phrases. A nice song to listen to, especially if you are in love. You would want to switch off the lights, sit back, close your eyes and relish the song.

Mash-Allah
Singer: Kunal Ganjawala
Lyrics: Nusrat Badr

Kunal is back with his enchanting voice. When you listen to this song, you go into a trance. The soft background music, Kunal's hypnotizing voice, the magical lyrics - the song is so romantic, you will fall in love, if you haven't already. No other singer could have carried it off so well as Kunal. Not even Sonu Nigam. This is an out and out Kunal Ganjawala song.

Thode Badmash
Singer: Shreya Goshal

It's the girl's turn to express her love through this song. Shreya Goshal tries hard to bundle enough naughtiness and love in this song, but she fails at certain points. When the song reaches high notes, her voice sounds strained. Lyrics are very ordinary.

Yoon Shabnami
Singer: Parthiv Gohil
Lyrics: Sandeep Nath

Yet another romantic number. What's with Bollywood and moon? From ages, the girl's beauty is being compared to the moon and the tradition continues in this song. Parthiv Gohil is a brilliant singer - his voice is literally dancing when he modulates.

Daras bina nahin chain
Singer: Richa Sharma, Shail Hada & Parthiv Gohil

The song starts with Richa Sharm'a alaap. Has she become famous as an alaap provider rather than as a singer? The music director's attempt at including a classical based song in the album. With Richa's commanding voice, the chorus, the male voice (Is it Hada and Gohil or both?), this song is very powerful. There is a haunting tune in the background. I couldn't identify the instrument used. Does anyone have an idea what instrument that is? It's a beautiful number which will make you get up and dance. It reminds me of the dance numbers in Devdas.

Sawar Gayi
Singer: Shreya Goshal

A Shreya solo. Another classical based song. A soft, slow number. Shreya sings this really well. Don't pay attention to the wordings, because they are nothing new.

Jaan-e-jaan
Singers: Kunal Ganjawala and Shreya Goshal

Probably the weakest song in the album. A judaai number, sung by Kunal and Shreya. Kunal sings well, but this is not his forte. Lyrics are very very ordinary. This song reminds me of the old song 'Tum mere ho, mere hi mere ho'.

Pari
Singer: Kunal Ganjawala

The hero is fantasizing about his loved one. He compares her to an angel. Lyrics become a little interesting here. 'Uski khamosh aahat ko sunta hoon mein'. Nothing new, but still makes your ears stand. This is a Kunal song and he makes complete justice. It doesn't have a catchy tune and it is difficult to sing. I don't see this song becoming a hit with the public.

Chabeela
Singer: Alka Yagnik

A change from the soft, slow songs. This is a fast, dance number sung by Alka Yagnik. Alka tries hard at modulating her voice, but sounds strained. Has she already lost the strength in her voice? It has a catchy tune, this is going to be a hit with the dance troupes.

Saawariya (Reprise)
Singer: Shail Hada

Shail is back with the title song and his magic. A perfect end to this great album.

Music Review: Om Shanti Om

Album: Om Shanti Om
Music Director: Vishal and Shekhar
Lyricist: Javed Akhtar
Album Rating:

Farah Khan’s next venture has the who is who of Bollywood. Considering this, I was expecting a few dozen songs in the movie. It manages to churn out one dozen. Her earlier movie, ‘Mein Hoon Na’ had some memorable numbers. The title song itself is still hummed at places. The peppy ‘Chale jaise hawayen’ is still fresh in people’s minds. Farah Khan had to present something good, if not better, but with this album is disappointing. This album lacks melody, noticeable tunes, interesting voices. The music composers have roped in some of the noteable singers (including Rahat Fateh Ali Khan and Richa Sharma), but still fail to produce one memorable song. With its poor original songs and poorer remix versions, this album can be easily avoided.

Ajab Si
Singer: KK

A soft, melodious, romantic number. Interesting lyrics. “Dil ko banade jo patang saasen yeh teri woh hawayen hain”. For the first time, I see heart compared to a fly and breath to wind. Interesting! ‘Chandni teri roshani ka halka sa saaya hai’ - I loved this line. Javed Akhtar has given us a romantic song which is as fresh as a flower. KK sounds strained and nasal in some places.

Deewangi Deewangi
Singers: Shaan, Udit Narayan,Shreya Goshal, Sunidhi Chauhan,Rahul Saxena

The title song of the movie should have been more powerful. It will no doubt be compared to the evergreen Rishi Kapoor song ‘Om Shanti Om’. The song fails to make you sit up and take notice of the song. It’s very slow for a dance number and the voices sound all messed up.

Main Agar Kahoon
Singers: Sonu Nigam, Shreya Goshal

Remember Sonu Nigma’s popular album ‘Deewana’? This song could have been easily included in that album without disturbing its theme. The typical ball dance beats and the slow tempo and of course, Sonu Nigam’s voice - all of this remind you of his previous soft numbers from ‘Deewana’. It took some time to understand the words of the song, and that means Akhtar has worked hard on this!

Soona Lage
Singers: Rahat Fateh Ali Khan, Richa Sharma

When two voices as powerful as Rahat Fateh Ali Khan and Richa Sharma come together in a song, you expect a magical song. Sadly, this song is far from it. The tune itself is not catchy - it falls flat on your ears. A classic case of wasting two great voices. Why are rustic voices like Rahat Fateh Ali Khan and Richa Sharma used only for melancholic songs? Maahi ve, Agle janam mohe, Maula mere maula mere are some examples.

Dhoom Tana
Singers: Abhijeet, Shreya Goshal

Abhijeet is back after a long time. His voice quality is so good and his singing is effortless - he is one singer wasted and the loss is ours. Compare Shreya’s and Ahbijeet’s singing in this song - you will know what I am talking about. Coming back to the song, the song searches for its identity - it can’t decide whether it wants to be called a wedding kind of song or a hip-hop or disco. Dhol, saxophone, hip-hop beats - one mixture which you are better far away from.

Daastaan-E-Om Shanti Om
Singers: Shaan

Its probably the scale of this song or the lyrics, this song reminds me of ‘Ek haseena thi, ek deewana tha’. Even the mood is similar. The song talks about treachery. Shaan’s voice is the saviour of the song and even he falters at times. The song is harsh on the ears and it doesn’t touch your heart.

Dard-E-Disco
Singers: Sukhwinder Singh

Don’t ask me what Dard-E-Disco means. Its probably the antonym of euphoria. Anyway, if you listen to this song, you will definitely be a victim of Dard-E-Disco. A remix which is a torture to your ears. Stay away from this song, you might even get a headache.

Deewangi (Rainbow remix)

Someone kindly explain what does rainbow remix mean. As if the original music wasn’t enough, this remix song tortures you till you can’t have enough.

Om Shanti Om (Medley Mix)

Take snippets of all the songs in the album, mix and match, throw in some beats and you have this song. Whats the purpose of this song? Ask the composers.

Daastaan-E-Om Shanti Om

Run as fast as you can. This song is dangerous for your health. Party goers will love this song, no doubt, but when it comes to me, I hate it.

Om Shanti Om Theme Music

After all the head-hurting remix songs, this is a welcome change. No shouting, no hard beats - small, soft clip which ends before you even start enjoying it.

Apart from the KK’s ‘Ajab Si’ and Sonu Nigam’s ‘Mein Agar Kahoon’, all the other songs are not ignorable. If I were you, I wouldn’t spend money on this.

Music Review: Laaga Chunari Mein Daag

Album: Laaga Chunari Mein Daag
Music Director: Shantanu Moitra
Lyricist: Swanand Kirkire
Album Rating:

With the huge success of Parineeta and Lage Raho Munnabhai weighing on his shoulders, expectations from Moitra are quite high. He tries to concoct a different mixture here, but fails to create the same magic. While Parineeta had periodic songs with a strong classical touch, Munnabhai was high on melody. The theme of this album seems to be fusion, but it doesn’t touch your heart. Compared to the nasal songs that top the charts these days, this album comes as a refreshing breeze, but still it doesn’t sound like it’s from the Moitra band.

Ik Teekhi Teekhi Si ladki
Singers: KK, Shreya Goshal

The album starts with this light-hearted, playful song. KK and Shreya Goshal add enough ‘natkhatpan’ into this song. KK’s singing is effortless and Shreya does justice. At one stage, the song’s mood changes and we hear Shreya’s digitized voice with some special effects. Apart from this, the song maintains its mood of light-heardedness throughout. Swanand Kirkire’s words are fresh.

Kachchi Kaliyan
Singers: Sonu Nigam, KK, Sunidhi Chauhan, Shreya Goshal

This song starts with words from a folk song, but almost instantly changes to a fast song. This song is interspersed with English words and Hindi words sung in rap style. This song is an unusual mixture of fast, techno beats and folkish words. Apt for a wedding ceremony or a dance competition. Considering Moitra’s earlier works, this song is completely different. This peppy song is going to be surely a hit with the crowd. For me, probably the weakest song in the album.

Ehi Thaiyaa Motiya
Singer: Rekha Bharadwaj

Totally contrary to the previous song, this classical based song is slow and relaxing. Rekha Bharadwaj’s voice is husky and soothing. Sarod is prominently used in this song and it gives a mujra touch and makes the song sound authentic. With Kathak’s ‘taa-thaiyyas’ interespersed, this is a typical ‘kotha’ song.

Zara Gungunalein Chalo
Singer: Babul Supriyo, Mahalaxmi Iyer

A fast song which tries hard to cheer up the mood after the heavy classical song. Baabul’s voice creates magic, but Mahalaxmi’s singing sounds strained. The song is far from catchy. Moitra tries to give this song an exotic touch with Spanish words and guitar pieces. The tune is nothing exotic, though. Nothing extra-ordinary about this song.

Chunari Mein Daag
Singers: Shubha Mudgal, Meeta Vashisht

What’s Meeta Vashisht doing here? No idea. The combination of Vashisht and Mudgal brings back memories of Man Ke Manjeere. This song does sound similar. With those weird beats (no idea what they are called), this song is a fusion. The background music is kept minimal and Mudgal’s voice sounds great. This song is a different take on the immortal Manna Dey’s song.

Hum To Aise Hain
Singers: Sunidhi Chauhan, Shreya Goshal, Swanand Kirkire

Sung beautifully by Sunidhi Chauhan and Shreya Goshal, this fun-filled song defines the protagonist family. Sunidhi almost over-shadows Shreya. The tune and the words are catchy. With a prominent ‘dafali’ beat in the background, this song is soothing on the ears.

So, should you buy this album? May be not. Listen to the songs online and then decide whether you want this album for your collection.

Tribute to Hrishikesh Mukherjee

August 27th marks Hrishikesh Mukherjee’s death anniversary.

They say comedy is a difficult genre and it is very difficult to make people laugh. Hrishikesh Mukherjee probably would not agree. With movies like Chupke Chupke, Golmaal, Kisi se na kehna under his crown, one can say comedy came easily to Hrishida.

I remember my first glimpse of Chupke Chupke - those stomach-wrenching guffaws, tears-filled eyes but still wanting more of it. Think of watching a movie on any Sunday lazy afternoon and the first movie that comes to mind is a Hrishida movie. The main reason Hrishida’s comedy movies became such a rage was because of their clean humor. In these days, where comedy has become synonymous with adultery, clean humor is almost non-existent.

While he was the unquestionable expert in the comedy genre, Hrishida gave us serious and thought-provoking movies like Anand, Abhimaan, Alaap and Sadma. If Hrishida’s comedy movies gave us much laughter, they were compensated with ample tears in his serious movies. Who can forget the ending scene in Anand? Or the one in Sadma?

Hrishida’s movies have given us numerous memorable characters. Cinema goers remember Pyaremohan and his obsession with Hindi even today. Raghu, the all-rounder cook, who had a solution to any problem, inspired Govinda’s role in Hero No.1 and continues to linger in our minds. The dying Anand with his undying spirit inspires us and teaches us how to make the most of our lives. Not to forget, Bhavani Shankar, with his philosophies on mustache, continues to entertain us even now, 32 years after the movie came out.

Music played a very important role in Hrishida’s movies. One of his earlier movies, Anuradha, had a singer as the main protagonist. Pandit Ravi Shankar composed music for this movie and gave us some memorable numbers. Hemant Kumar created magic in Anupama with songs like Dheere dheera machal and Ya dil ki suno duniyawalo. Aanewala pal jaanewala hai continues to be the philosophical song that the younger generation listens to even today. Songs like Ae ri pawan dhoonde kise tera man, Kahin door jab din dhal jaaye, Saawan ke jhoole pade, Mein shayar badnaam, Badi sooni sooni hai, Zindagi kaisi hai paheli, Bole re papeehara, Tere mere milan ki yeh raina tell us the appreciation and importance Hrishida had for music.

Hrishida, with his highly entertaining movies, with no violence and simple plots ruled the Hindi film industry from 1957 (Musafir) to 1998 (Jhoot Bole Kauwa Kaate). Any Hindi film director trying to make a comedy movie uses Hrishida as reference. They dream of making a comedy movie which comes anywhere close to Chupke Chupke. With the king of Hindi cinema’s comedy genre gone, the industry has incurred a big loss. The magician who made us laugh and cry with the same passion has left a big gap in the Hindi film industry which no one can fill.

Do visit Hrishikesh Mukherjee’s official website. They have a very interesting collection of Hrishida’s photographs.

Gali Mein Aaj Chand Nikala: Zakhm

Song: Gali Mein Aaj Chand Nikala
Movie: Zakhm
Music Director: MM Kreem
Singer: Alka Yagnik
Lyrics: Anand Bakshi

I have been hooked on to this song since morning. I have already listened to it some fifteen times, but still can’t have enough.

Gali Mein Aaj Chand Nikala from Zakhm. This beautiful song had slipped away from my music radar until I was recently reminded of it when I heard someone sing on Voice of India.

The song celebrates life - the lady is happy that her lover is arriving and she finds the whole world celebrating with her. The mukhda summarizes her feelings very well.

Tum aaye to aaya mujhe yaad, gali mein aaj chand nikala
Jaane kitne dinon ke baad, gali mein aaj chand nikala

The moon has arrived to brighten her house on this joyous occasion. Anand Bakshi’s took me by surprise. I haven’t found his words that interesting until now. The whole song is full of lines which you want to stop and think about. See this:

Maine tum ko aate dekha,
Apni jaan ko jaate dekha

Such beautiful lines. Not a single extraneous word - just perfect. When Alka sings these lines, the background music grinds to a halt. The magic and aura that these lines create is just awesome.

Though Alka Yagnik is not one of my favorite singers, I adore her in this song. She adds the right emotions to this song. The way her voice dances, sways and curves - I imagine her dancing in the studio while singing in the voice.

MM Kreem’s music makes you want to get up and dance. The song is so full of energy - you suddenly start feeling happy about everything around you. It begins with a soft and mellow note, and picks up speed and energy as it progresses and it ends with a shehanai piece. What other instrument can have a celebratory mood like shehnai? The song ends on a perfect note!

I was surprised to note that none of the people associated with this song are my favorites. Neither the composer, nor the singer, nor the lyricist, but still this is one of my favorite songs. This is one of those situations where three random people come together and make history. For me, this is one of the perfect songs, where everything is just right.

PS: Apologies if this post doesn’t make sense. You see, I am still swaying to the song. As they say ‘Mein nashe mein hoon’.

A tribute to Rafi

An article on Rafi's death anniversary.